Hey try to make these movies at the Latino Culture Center by Gay Director Pedro Almodóvar. They are free!! So please go so the LCC will continue to provide more great programs for out LGBT Community.
Santo Gay
All about Almodóvar
By Daniel A. Kusner Life+Style Editor, Dallas Voice
Latino Culture Center launches 6-week fest celebrating queer director’s oeuvre
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| NICE GUNS: The series’ first film,“Women on the Verge of a Nervous Breakdown,” screens this Saturday. |
When it comes to crafting films featuring strong women, Pedro Almodóvar is arguably the greatest contemporary director.
And right beside his feminist heroines, the Spanish cineast rotates a riveting mix pimps, hookers, crooks, transvestites, nuns with AIDS and other representatives of lowlife. But when he’s depicting the disreputable, Almodóvar wields a loving, generous spirit. You could take your mom to any of his punk-culture melodramas.
Dallas is in for a nifty treat: The Latino Culture Center is devoting almost two months of its “Films in Spanish” series to Almodóvar. And of the six Pedro films, none of them are weak. Almodóvar has made approximately 17 feature films since “Pepe, Luci and Bom,” his first international title, which was released in 1980.
Almodóvar does have detractors: Some criticize that he recycles his stories. And in 1994, he did subject fans to the painfully flat “Kika,” which had many worry about his predictability. However, if you look at his career in 2007, it’s safe to say that he’s been on a hot streak for quite some time. But even a so-so Almodóvar movie is better than anything coming out of Hollywood.
Oh yeah, he’s the only director Penelope Cruz should ever work with. And if you’ve never seen Cruz perform in her native tongue, Penelope in Spanish emerges as a cinema goddess.
All films are free and will have English subtitles. They screen Saturdays at 2 p.m. at the Latino Cultural Center, 2600 Live Oak Street. 214-671-0045. DallasCulture.org/latinocc
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July 7: “Mujeres al borde de un ataque de nervios”
(Women on the Verge of a Nervous Breakdown,” 1989)
Carmen Maura stars as an actress who’s just been dumped by her married lover. In the midst of trying to track him down for a face-to-face confrontation, she crosses paths with her lover’s son (Antonio Banderas), his unbalanced wife (Julieta Serrano) and his new girlfriend (Kiti Manver). English subtitles, 89 min.
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| Pedro Almodóvar |
July 14: “Todo sobre mi madre”
(“All About My Mother, 1999”)
After her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. English subtitles, 101 min.
July 21: “Hable con Ella”
(“Talk to Her,” 2002)
Marco (Dario Grandinetti) is in love with Lydia (Rosario Flores), a female bullfighter who is gored by a bull and sent into a coma. Marco crosses paths with Benigno (Javier Camara), a male nurse who looks after another coma patient, a young dancer named Alicia (Leonor Watling). From Benigno’s gentle attentiveness to Alicia, Marco learns to take care of Lydia.
Aug 4: “La Flor de mi Ssecreto”
(“The Flower of My Secret,” 1995)
A rambling comedy about a romance novelist (Marisa Paredes) whose crumbling marriage has left her depressed and unable to work. At a low point, she writes a scathing indictment of her own books which are penned under another name — with no one realizing critic and author are one and the same. English subtitles, 106 min.
Aug. 11: “Matador,” 1986
A stylish black comedy about dark sides of human nature: an ex-bullfighter gets turned on by killing; a lady lawyer has the same problem; and a young man driven insane over-religious upbringing. Starring Antonio Banderas. English subtitles, 106 minutes.
Aug: 18 “La Mala Educación”
(“Bad Education,” 2004)
Handsome, enigmatic Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and proclaims that he’s Enrique’s long-lost chum Ignacio. Ángel, a novice actor, pitches a screenplay in which he’s determined to start a revenge-laden reflection of the doomed love he and Enrique shared.